Classical guitar shed memorize
With my first child on the way, I took a break from building guitars for a short time before being asked to open a guitar making school in Newcastle with Strato and opened the first school as a part of the Australian Guitar Making School franchise. I finished all of my friend’s guitars over the next year and took a few more commissions whilst experimenting with making double top guitars and solid body electrics. The second guitar was a flamenco guitar – a design by Marcelo Barbero which also performs brilliantly with that light crisp flamenco sound. I still use this guitar at gigs and it will always have a special place on the stand. The first guitar was a classical guitar and was a huge success sounding loud powerful yet refined. She kind of didn’t believe me…! I went a bit guitar making mad and started collecting old planes and all the tools to build guitars in my little shed and within a month I had a bandsaw and had taken orders for 5 guitars for my friends. I remember coming home after the first lesson and telling my wife that I believed that “I think that I might be building guitars for the rest of my life”. I can’t tell you how excited I was in that first year of building my first guitar. I was on the phone in a second and was booked into classes realising my dream of building a guitar. Graham was very kind and generous with all my questions and intrigue into how he built guitars and it was here that I decided one day I would build a guitar.įast forward a few years and about a thousand gigs later one of my guitar students mentioned that he started building a guitar at the Australian Guitar Making School in Toronto with luthier Strato Anagnostis.
Classical guitar shed memorize professional#
I visited luthier Graham Caldersmiths for a guitar repair and saw for the first time the inner workings of a professional luthier’s workshop.
I acquired a Simon Marty Guitar in my second year and was in awe of the workmanship and the sound quality of this guitar sparking an interest into what made guitar tick under the bonnet.
It was here that I was introduced to highest quality classical guitars from Australia’s finest builders, Greg Smallman, Gerard Gilet, Dan Kellaway and Simon Marty to name a few. Upon finishing high school I ventured once again back to the sublime classical world of guitar and entered the Conservatorium of Music and completed a Bachelor of Music and Honours Degree majoring in Performance. Classical guitar took a back step for a few years as I played and grew up in the grunge era of the ’90s. I got my first guitar at age 9 and started learning classical guitar before my grandmother bought me a Fender at age 13. The love of stringed instruments started when Matt’s cousin played her guitar at his grandparent’s house when he was 4 years old.